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2022 - Volume 6 - Number 2

When the Imagination Replaces an Absent Memory

Nina Zlateva Ilieva * ninail@abv.bg * ORCID: 0000-0003-3323-3743
South-West University “Neofit Rilski”, Faculty of Philosophy, Blagoevgrad, BULGARIA

Open Journal for Studies in Philosophy, 2022, 6(2), 67-72 * https://doi.org/10.32591/coas.ojsp.0602.03067i
Received: 17 October 2022 ▪ Revised: 21 December 2022 ▪ Accepted: 30 December 2022

LICENCE: Creative Commons Attribution 4.0 International License.

ARTICLE (Full Text - PDF)

ABSTRACT:
The art cannot be limited to overcoming limitations, however those are important facts in its history. After modernism, the idea of time as a straight line, loaded the linear orientation. Even fuzzy and without a trace of it attributed distinctiveness, time is in the author’s power. The creation allows the imagination to replace true memory or its failure. If the creator is able to organize a temporality which tempts him and at the same time attracts the attention of certain listeners, there are all conditions for a success of the creation.

KEY WORDS: style, modernism, creation, memory, imagination, time.

CORRESPONDING AUTHOR:
Nina Zlateva Ilieva, South-West University “Neofit Rilski”, Faculty of Philosophy, Blagoevgrad, BULGARIA. E-mail: ninail@abv.bg.

REFERENCES:

Angelov, V. (2005). Izkustvo & Estetika. Krizata v еstetikata i predizvikatelstvata na avangardnoto izkustvo [Art & Aesthetics. The crisis in aesthetics and the challenges of avant-garde art]. Sofia: Izdatelstvo Аgato.

Dgeimisan, F. (2005). Edinstvena modernist [The only modernity]. Sofia: Izdatelstvo KH.

Eco, U. (2006). Istoria na krasotata predstavena ot Umberto Eco [History of Beauty presented by Umberto Eco]. Sofia: Izdatelstvo Kibea.