COAS
Center for Open Access in Science (COAS)
OPEN JOURNAL FOR SOCIOLOGICAL STUDIES (OJSS)
ISSN (Online) 2560-5283 * ojss@centerprode.com

OJSS Home

2017 - Volume 1 - Number 2


Theatricalization of Patriarchate’s Power through Television Serials: Legitimation of Rape

Dimitra Laurence Larochelle (PhD student) * larochelle.laurence@gmail.com * ORCID: 0000-0003-2639-2383 * ResearcherID: U-6987-2017
University Sorbonne Nouvelle – Paris 3, UFR Arts et Médias

Open Journal for Sociological Studies, 2017, 1(2), 65-72 * https://doi.org/10.32591/coas.ojss.0102.04065l
Online Published Date: 15 December 2017

LICENCE: Creative Commons Attribution 4.0 International License.

ARTICLE (Full Text - PDF)


KEY WORDS: social representations, cultural studies, serials, gender, violence.

ABSTRACT:
This paper aims to present the results of our empirical research concerning the reception of Turkish television serials in Greece. More precisely, in this paper we tempt to approach the representations projected by the Turkish serial entitled “Futmagul’un suçu ne?” as well as their reception by the public in Greece. The serial in question provides a particular representation of rape: under the cover of a “feminist” ideal (the persecution of the man who raped into a trial) it conveys representations and archetypes that are in accordance with the dominant patriarchal organization and principles; therefore, it contributes to the legitimation of violence against women. Our analysis focuses on the reception of this serial by women in Greece. Our research revealed that the majority of women who were part of the sample, develop through their interpretation various strategies against patriarchate despite the fact that they do not always recognize the archetypical stereotypes projected by the serial in question.

CORRESPONDING AUTHOR:
Dimitra Laurence Larochelle, University Sorbonne Nouvelle – Paris 3, UFR Arts et Médias, 10, rue du Regard 75006, Paris, France. E-mail: larochelle.laurence@gmail.com.


REFERENCES:

Butler, J. (2006). Défaire le genre. Paris: Éd. Amsterdam.

Cervulle, M., et Quemener, N. (2015). Cultural Studies: Théories et méthodes. Paris:A. Colin.

Duvignaud, J. (1970). Spectacle et Société. Paris: Denoël.

Glevarec, H., Macé, É., et Maigret, É. (2011). Cultural Studies: Anthologie. Paris: A. Colin.

Hall, S. (2008). Le populisme autoritaire. Paris: Éd. Amsterdam.

Hall, S. (2007). Identités et cultures: Politiques des Cultural Studies. Paris: Éd. Amsterdam.

Hoggart, R. (1970). La Culture du pauvre. Étude sur le style de vie des classes populaires en Angleterre. Paris: Minuit.

Kauffmann, J.-C. (1991). La femme seule et le prince charmant. Paris:Pocket.

Lochard, G. et Soulages, J.-C. (1998). La communication télévisuelle. Paris: A. Colin.

Maigret, É. (2003). Sociologie de la Communication et des médias. Paris: A. Colin.

Mattelart, A. et Neveu, É. (2003). Introduction aux Cultural Studies. Paris: La Découverte.

Morin, E. (1956). Le cinéma ou l’homme imaginaire. Paris:Éd. Minuit.

Radway, J. (2000). Lectures à “l’eau de rose”. Femmes, patriarcat et littérature populaire”. Politix, 13(51), 163-177.

Silverstone, R. (1990). Télévision, mythe et culture, Réseaux.

Vovou, I. (2009). Les miroirs perforés de la télévision, du gendre étranger aux frontières de l’amour (en grec). Athènes: Hérodote.

© Center for Open Access in Science